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MIKE STOCKSDALE

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  1. Taking Inventory

From the recording Until the Oceans Rise, Vol. 2

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Lyrics

Never meet your heroes that’s what they say
So I let you walk right by me at the café
See if I told you how I loved you and I wanted to be true
I’d have to admit I only care about the better parts of you

It’s midnight at The Hotel and the place is packed
But the doers stayed in Burbank, counting up their stacks
Except the flower man who’s shredding all alone where no one hears
He keeps his secrets locked up tight afriad that they’ll disappear

The dreamers at The Hotel we know where it’s at
Of course the scene is more important than whether notes are sharp or flat
Who gives a damn about the music I want to hear a story
We used to write about things that matter. Now we’re just taking inventory.

Oh, where’s that soul?
Oh, where’s that soul?

We are drunk again on a Wednesday night
Slouched on the floor of our apartment pulling apart Myspace pages
Wondering what the hell we are doing here cause nothing’s clear
Instead of thinking too hard, baby pass me another beer

Johnny reads James Joyce in the hallway
Holding a whiskey ginger and thumbing through the pages
The whole place is lit with candles as he takes the stage in the dark
Surrounded by fire we lay back and marvel at how he rages

Later I sit alone on the deck outside my room
On the fourth floor and wait for a pretty girl next door
To close those shades after a shower just wishing I knew her name
But I been so bad at playing, I think it’s time I get out of the game

Oh, where’s that soul?
Oh, where’s that soul?

The phone rings again and it’s another Indie salesman
Preying on my deepest and darkest fears
I hang up and fume, my head starts to swoon
Charles said to pop those baloons but I ain’t seen him in years

And both George Martins are ringing in my ears
This black and white comp book is filling up with tears
Unfinished songs that one day I’ll look back up on from the future
Now it’s just damage control and I’m in need of a suture

Oh, where’s that soul?
Oh, where’s that soul?

We strut into Big Wangs on a Thursday
With our finest T shirts on battling the Summer heat
And I duck behind the bouncer cause they’re checking IDs
And disappear into the crowd before anybody sees

Later a pretty girl sits down next to us
I consider proposing as she slides into the booth
Then I ask Johnny, “Hey man, what do we got to lose?”
“Only everythig,” he replies. And takes another shot of booze

Howard is handing out drinks for a smile
It’s Monday and The Kitty is empty again
Except for those of us searching for that rock star lifestyle
And the lonely souls of Hollywood hunting the streets for friends

So Tess and Johnny and I go out dancing
They say act like no one’s watching so that’s what I do
Tess rips open my shirt and laughs like nothing matters
I don’t believe that yet...but it’s probably true

Oh, where’s that soul?
Oh...

WHERE’S THAT SOUL??

On the recording process: 
The basic tracks for these five songs, along with ten others for an upcoming full-length album, were recorded over four days in February 2022 at Station House studio in Los Angeles, CA. Mark Rains engineered, Anders Mouridsen played lead guitars and keyboards, and Ulf Mickael Wahlgren was on drums and percussion. I played acoustic and electric rhythm guitars and sang scratch vocals. We tracked everything live and then went back and did a few overdubs with our extra time. Anders and Ulf are old friends of mine, and I can’t stress enough what incredible players they are. These guys are responsible for making the record come alive. It was such a blast creating music with real human beings again after working alone on my previous two releases. I think I had forgotten how rewarding it can be to feel the ebb and flow of other players and to collaborate in the moment. We planned on tracking eight songs and ended up doing fifteen. That’s how you know the sessions went well! Afterward I took the songs to my home studio and over the next few months tracked bass, more guitars, lead vocals, and Kate Strand came by a few times to add her amazing vocal harmonies and textures. Jason Swift, the lead singer in my old band, Three Minute Mile, sent me the backing vocals for Matador all the way from Austin, Texas. Mark Rains mixed the songs superbly back at Station House, and Eric Conn mastered the EP at Independent Mastering in Nashville, TN. 

Bad Bad World 
“Bad Bad World” was the first song I wrote for this record. It’s laced with references to the pandemic and the general dark vibes of 2020 and 2021, but it has a hopeful tone. If you look too hard and too often at social media and news feeds an odd and untrue sense of reality can start to form. Things feel bleak, but the truth is there is so much good in this world, and it gets overshadowed, especially on local and personal levels. Every person you’ve ever passed by on the street has a story and it’s probably full of love and kindness and heartache. 
I wrote this song with my guitar tuned down a whole step because my voice was wrecked for almost a year during the height of COVID. I didn’t think it would ever come back. I thought maybe it was residual from when I was sick, but in retrospect it may have been more psychological than anything. Thankfully it’s back now and stronger than ever. 

Andersonville 
After I finished college at Indiana University my band, Three Minute Mile, moved to Chicago to give it a go in a major city. The five of us, seven if you count girlfriends, lived in a four-bedroom one bath apartment in Andersonville, a neighborhood in north Chicago. We’d rehearse in the living room. Even though it was a while back, I can still get there in my mind and the memories are vivid. I recall walking to Argyle station, passing by Vietnamese pho restaurants, and taking the red line to work like it was yesterday. Those were young days for me as a musician. I could make some hip sounds on guitar and was having a blast, but I didn’t really know what I was doing. I was writing songs and playing lead, but I hadn’t taught myself to sing yet. I wasn’t in a place where I was ready express myself as an artist, but it was coming. I think I could feel it deep down. Those were formative years for me, and without a doubt they shaped my musical identity. 

Matador 
I had the music for years before I could find lyrics to do this song justice, and I was thrilled when I discovered something that worked and resonated with me. At its heart, “Matador” is about the search for truth in this world, and it’s about how surprisingly difficult that can be. The lyrics are a conversation with a science denier who’s been tricked into believing things they have no evidence to support. The denier is the bull, and the tricker is the matador. But I think we’ve all chased matadors in our lives, and I hope the song is a bit of a reminder to everyone to check themselves a bit. Check their resources. Think twice about what they believe, why they believe it, and who’s telling them to believe it. I know I’ve been the bull to someone else’s matador many times, so the song is a reminder to me as well.  

Thunder 
“Thunder” is all about feeling isolated and alone and like you’re barely scraping by in the world, then posing the question, “am I the only one who’s like this?” Sometimes it can really seem that way, especially when you’re only seeing people post the best versions of themselves online. But we all know the answer to the question. We all know everyone sees the lighting and feels the thunder too. 

One Way Ticket 
I really can’t believe this became a song, let alone one of my favorites on the record. “One Way Ticket” is a combination of six different ideas that I really loved but couldn’t quite turn into standalone songs. I stole an old Beatles trick and slapped them together while tweaking a few lyrics and chords to give the whole thing a subtle through-line, and I think the result feels like a life-long journey from childhood to old age. I’m thrilled with how it all turned out. My favorite lyric is toward the end where I reference how my parents met. The story goes like this: they were both waiting in line at the airport and my mom randomly asked anyone for the time. My dad, who’s a tall and lanky dude, was further back in line but leaned over a bunch of people to make sure she heard it from him. They got to talking and decided to share a cab home because they lived near each other. Only thing is my dad lived nowhere near her and had lied as an excuse for them to ride together! The rest is history. Without that I would have never existed. It’s amazing how certain small moments and choices can be instrumental in shaping our lives forever.

© Mike Stocksdale
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